Filter
Loading...
Tags
Opened big buds "ya bao" and small leaves from wild tea trees from area...
Wild tea trees from Ming Feng Shan in Yongde county. The leaves haven't...
Medium fermented tea leaves from small tea trees growing in Yong De...
Handmade Dai Pottery gaiwan with hand carved flowers design filled with...
Handmade Dai Pottery gaiwan with hand carved leaf design filled with...
Handmade Dai Pottery gaiwan with hand carved writing in Dai language...
Handmade Dai Pottery gaiwan with hand carved writing in Dai language...
Handmade Dai Pottery gaiwan with hand carved writing in Dai language...
Masters of pottery , calligraphy or art.
People with skill and many ears of experience with their craft.
Masters of pottery , calligraphy or art.
People with skill and many ears of experience with their craft.
Subcategories
Fan De Hui master is and student of famous calligrapher 周慧珺 Zhou Hui Jung
( refer to google for more details ).
Since childhood he was learning and practicing calligraphy as it was tradition in his family.
Master's full profile
Fan laoshi mastering Yan Zhen Qing,Li,Xing,Weibei and other typefaces.
His works are powerful and come in wide variety structures with a strong visual impact.
Because of his proficiency in Chinese traditional culture ,
his works are usually done in ancient style poetry with essays.
Participating in many exhibitions in China along with other countries like
Japan and South Korea where he has become popular as well.
Yu Feng
Feng's family inherited and preserved technique from their ancestors and at the moment she is the only one real Dai Tao master in China. Since childhood she started learning how to make pottery from her mother. Not as another kind of teapot/ Pottery master,she wasn’t making potteries very often for commercial purposes , most of the time she was just teaching students who were interested to learn the ancient Dai Tao slow wheel technique.
Long time ago , there were many Dai villages making the pottery their daily life use. The interesting thing is , that only women were allowed to transmitted the Dai Tao pottery skill ,and only men were allowed to learn Dai characters and pass that experience to other men. When time goes by , the ancient technique of making pottery almost disappeared.
Master Yin Sheng and his family originally come from Jing De Zhen
and moved to Jian Shui in 2007. He and his wife learned making a pottery
in their hometown and worked for one manufacturing company
( from where they know each other ) many years ,
before decided to make a radical move and open they very own studio.
He and their son are in charge of forming / shaping the pottery
while his wife with daughter assemblies the parts and making the final
decorations / painting / carvings. This is perfect balance of workflow in family business
and we are happy to find someone who can make beautiful piece of pottery
with the precision and without being influenced by local commercial hype.
Master Qiu
is an art professor of a local college in Xishuangbanna.
Graduated in Yunnan Art School and has been making Dai poetry
over a decade. He is committed to a various researches and techniques
in pottery production , applying concepts of combination traditional
technique with modern design to develop innovations in Dai poetry.
Hand made 2 x 60ml cups with carved pattern of blooming lotus . Made by Yunnan ethnic minority "Dai Zu " - Dai people. Sizes and weight might vary.
Handmade Dai Pottery vase finished with traditional ash glazing technique applied. Mixture of Menghai clay with Xishuangbanna ( Ganlanba ) for stability of clay during the firing.
Handmade 700 ml jar for storing your loose tea leafs. Made by Yunnan ethnic minority "Dai Zu " - Dai people. Hand carved features on outside surface. For better seal we recommend to put piece of cloth between the opening and lid.
Handmade Dai Pottery vase finished with traditional ash glazing technique applied. Mixture of Menghai clay with Xishuangbanna ( Ganlanba ) for stability of clay during the firing.
Hand made 105ml cup by Dai pottery Master Qiu. Not traditional design / concept of Dai pottery cup. Very porous and rough rim around the cup. Ash glazing technique applied. Mixture of Xishuangbanna ( Ganlanba ) with Menghai clay and send from banks of Lancang river in order to achieve porosity.
Hand made 72ml cup by Dai pottery Master Qiu. Not traditional design / concept of Dai pottery cup. Very porous and rough rim around the cup. Ash glazing technique applied. Mixture of Xishuangbanna ( Ganlanba ) with Menghai clay and send from banks of Lancang river in order to achieve porosity. Cup is not perfect circle!
Hand made 60ml cup by Dai pottery Master Qiu. Not traditional design / concept of Dai pottery cup. Very porous and rough rim around the cup. Mixture of Xishuangbanna ( Ganlanba ) with Menghai clay and send from banks of Lancang river in order to achieve porosity.
Hand made 85ml cup by Dai pottery Master Qiu. Not traditional design / concept of Dai pottery cup. Very porous and rough rim around the cup. Ash glazing technique applied. Mixture of Xishuangbanna ( Ganlanba ) with Menghai clay and send from banks of Lancang river in order to achieve porosity.
Hand made 90ml cup by Dai pottery Master Qiu. Not traditional design / concept of Dai pottery cup. Very porous and rough rim around the cup. Mixture of Xishuangbanna ( Ganlanba ) with Menghai clay and send from banks of Lancang river in order to achieve porosity.
Hand made 72ml cup by Dai pottery Master Qiu. Not traditional design / concept of Dai pottery cup. Very porous and rough rim around the cup. Ash glazing technique applied. Mixture of Xishuangbanna ( Ganlanba ) with Menghai clay and send from banks of Lancang river in order to achieve porosity.
Hand made 90ml cup by Dai pottery Master Qiu. Not traditional design / concept of Dai pottery cup. Very porous and rough rim around the cup. Mixture of Xishuangbanna ( Ganlanba ) with Menghai clay and send from banks of Lancang river in order to achieve porosity.
Hand made 90ml cup by Dai pottery Master Qiu. Not traditional design / concept of Dai pottery cup. Very porous and rough rim around the cup. Mixture of Xishuangbanna ( Ganlanba ) with Menghai clay and send from banks of Lancang river in order to achieve porosity.